13.03.2016 17:25
Codo schrieb:Well, I should not complain about not having the skills I want, if I keep wasting my time.Girl, I've been wasting time for 20 years. I only recently gained (some) skills because I turned into rush mode and now I'm doing almost nothing except musical education. There's a bunch of really clever guys on YouTube who really wanna help. Alan Belkin. JJay Berthume. OrchestrationOnline. Declan Plummer. Art of Composing. Andrew Gerlicher. More I forgot. So I watch everything they tell about voicing, voice leading, orchestration, counterpoint, basic harmony, advanced harmony, relative harmony and DAW usage. The sole duration of REAPER Mania I watched was over 9 hours and that's just the last three days...

Zitat:I tried different strategies, but it's no use: I can work/focus on one thing just 15-30 minutes maximum. I constantly have to shift my focusSo shift it to something different but similar enough to stay on the topic. For instance I'm currently bored with these tutorials so I hunt samples for BtB (yes it also helps to write for themed events because you're forced to sail unknown waters in order to fit the theme). When I have decent samples, I will try to write something, and the more diverse samples I get, the more varied structures, specific to these instruments, come to mind - because when you hear the guitar you instinctively think of a completely different melody than when you blow the flute. Nonetheless if something doesn't sound right I will watch another tutorial which solves the issue, and so on. All these actions differ enough to serve as a break from each other, but are also related so I don't lose the point of the whole operation.
It also helps to attempt something MORE complex than you think you're ready to write - because each element of music works in a different way, so requires a step in a different direction, and you can use one discovery trip as a break from another. This way it's not one HUGE work anymore, but many separate, exploration-based missions filled with varied challenges and a major boss fight when you put everything together... like playing a good hub level. And instruments work differently from each other, requiring a similar-yet-separate approach, so I suppose when you know enough about them you can write for one section as a break from another. Like shifting focus from piano to strings, from strings to drums, from drums to FX and so on. I cannot confirm that, I haven't been there yet, but I suppose it might be like that

Of course there is still a moment when you should close the computer and go outside

Zitat:I'm not that good at improvising and generally just use broken chords for accompaniment.My weakest spot, that's why I had troubles recognizing them

Zitat:Did you use a step sequencer or played it by hand? It sounds like the latter.Unluckily I don't have a MIDI controller yet, I did it all note by note using the mouse

